From the introduction:
Before the young conjurer sets out to try and entertain his friends he should first devote a little time every day to practice. I always believe in a little practice every day. Every trick that one is going to present should be rehearsed over and over again until one is practically tired of it. When the conjurer knows a trick in that way he finds, when he is presenting it to an audience, that he is by no means tired of it, because the trick goes so well that he is bound to like it and it probably becomes one of his favourite tricks.
How to give a Conjuring Entertainment
The Magic Billiard Ball
Paper Cone And Glass Casket
The Floating Disc
The Farthings And Tape
The Flight Of Coins
The Enchanted Coins
Two Pennies And A Tumbler
The Enchanted Die
The Jumping Peg
The Coin, The Ring, And The Handkerchief
The Magical Knot
Hat Production
The Rope And Rings
The Ring On The Wand
Three Malay Rope Tricks
The Latest Palm Pass
The Mysterious Photograph Frame
The Aladdin Tube
The Sybil Coin Case
The Spirit Slate
Another Method
Bloodless Surgery
Good Luck To The Baby
The Handkerchief And The Empty Glass
Suggestions For A Handkerchief Production Act
Egg Vanishing Apparatus
The Newest Hat Loader
How To Destroy And Restore A Card
The New Spirit Photographs
The Aladdin Productive Candle
The Aladdin Changing Handkerchief Wand
Rapid Disappearance Of A Thimble
The Enchanted Tube
Passing A Thimble Through A Borrowed Silk Handkerchief
The Deceptive Half-Crown
Flying Colours
The Two Card Trick
The Vanishing Pencil
The Improved Cannon And The Pellets
Heads Or Tails
The New Diminishing Card
The Colour Changing Handkerchief
The Aviary Candlestick
The Card Transformation
The Aladdin Production Canister
1st edition 1910, 92 pages; PDF 53 pages.
